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Showing posts with label television. Show all posts
Showing posts with label television. Show all posts

Wednesday, March 2, 2016

Game Recognizes Game (Beyonce, The Police and The Panthers Part 3)

We are not White men; our people are more simple and direct. THEY BELIEVE WHAT THEY SEE. Believe in a man because he's there, not because he was there...

a quote from the 1968 blaxploitation movie Black Jesus.

You (Black people) go for it because you're chumps...You enjoy being lied to...

Imam Jamil Al-Amin (formerly H. Rap Brown)



I admit I have a habit of looking in the wrong places. Sometimes.

What do I mean?

I wanted so badly to gather other information proving my point that Beyonce's Super Bowl performance was not a tribute to the late Malcolm X, the Black Panthers, or any Black Power movement for that matter, I briefly suspended my blogging for a few days, searching high and low on all media outlets beit mainstream, independent or social, looking for SOMEONE who had an ounce of a fraction of evidence corroborating with my position. I even resorted to watching Youtube videos by some members of the "Afrikan" or "conscious" community, you know that community that claims consciousness, and decries other Blacks as being brainwashed, constantly on the lookout for hints of Illuminati, berates religion, refers to Black people who believe in a diety other than themselves as "mental slaves"? Yeah those people. Well, suffice to say I didn't get anything useful from those videos other than the fact that there seem to be quite a few people out here ascribing supremacy, divinity, superior intelligence, and the whole nine to themselves, yet could not see beyond the surface of Beyonce's performance.  Between the surprising celebrations of some, and skepticism of others, sprinkled with the usual Illuminati proclamations, and some even claiming the game was fixed, I found myself becoming despondent, and eventually took a brief pause from the blog.

I was at the point of deciding to just post images on the last part of this blog, when I spotted this video on Youtube.




Here is the corresponding February 9, 2016 article:
http://newsone.com/3355014/white-feminists-attack-beyonce-for-being-left-out-of-formation/

To sum it up, it seems that a White feminist, a singer named Arika Kane, took offense to the performance, due to the exclusivity of only Black female dancers in Beyonce's performance. She tweeted her disdain of the performance,  to which TV One newsman Roland Martin responded with his own tweet;


Arika's tweet set  members of a social group called Black Twitter on the defensive, as well as a host of other Black people, who quickly responded with a plethora of tweets, youtube video responses, and the like, mostly in defense of Beyonce's performance and video. Azealia Banks, known for her Twitter tirades, took Arika to task.

http://www.xxlmag.com/news/2016/02/azealia-banks-beyonce-white-feminists/


But the Arika Kane tweet sticks out, if we were to pay closer attention. Apparently Beyonce's stealth tribute to Black feminism was picked up by some White feminists who felt slighted, and as expected they made comments about it. I get it, just like I got that song Formation, which many Blacks took as empowering, though the video did not match with the lyrics, but that's another blog.

Meanwhile many Blacks sat by, judging her performance solely on what was perceived, not referring to any true historical references, nor making any clear analysis, and being enchanted only with the imagery on the television or the field. Such is the way of subversion.

If you pay close attention to the above video, you would notice the TV One network news host Roland Martin going in on Arika Kane, along with Michelle Bernard, giving her perspective on the matter. But the question to ask is why them?




TV One is partly owned by Catherine Hughes, a black woman, the only television company partially owned by a minority. If you take that into consideration with the fact that Michelle also describes herself as a feminist, you would understand why they would become upset and make light of the insinuations made by Arika, and the catfight begins.

But what is really missed is the fact that feminism was not supposed to be the central theme of Beyonce's performance in the first place.

Or was it?

Have we been hoodwinked again?

Black feminism, or Womanism, as some would like to refer to it as, has been used by the corporate conglomerates and other entities to perpetuate the gender war between Black men and women, and make a profit from it as well, no doubt about it. Claims of heteropatriarchy, Black male incompetence, and Black men intentionally throwing Black women and Black LGBT members "under the bus" flood the airwaves, beit Oprah and her propaganda network OWN, talk shows,  the Shonda Rhimes legacy being built, supported and propagated by the ABC television network, Ebony Magazine's hiring of Keirna Mayo, a self-proclaimed Black feminist who caused quite a stir last November with the controversial "Family Issue" regarding Bill Cosby's sexual assault allegations, Univision's purchase of The Root, a notoriously feminist online publication that validated even V. Stiviano's "gold-digging hustle", the movie The Perfect Guy, starring Sanaa Lathan, which premiered on September 11th of last year (never forget, huh?),  the selecting of Serena Williams as Sportsperson of the Year in 2015, and Spike Lee's failed film "Chiraq" for its Black feminist overtones and satirizing the violence in Chicago. Factor all of this in with the fact that The Black Lives Matter Movement is a feminist/LGBT organization, and you should come to the quick conclusion that things just don't look good for hetero Black men in America right now.








And who can forget last year's Emmy Award acceptance speech made by Viola Davis after winning the award for How To Get Away With Murder? Remember that diatribe she made, as if to give the impression that everyone is sitting in the lap of luxury except the Black woman? As is Black men are laced out, living it up at the expense of Black women? I mean c'mon sister.




Her famous proclamation that the only thing that separates women of color from anyone else is opportunity received much applause from the likes of Black women, and even some Black men, even some "conscious" men, but it didn't sit too well with the likes of Patricia Arquette. To women like her this was not the time or place to champion such an issue.

See game recognizes game. Feminists knew just what Beyonce was trying to pull at the Super Bowl. Some White feminists didn't mind, supporting it for its wide range implications, but others like Arika, did not take too kindly, because of what appeared to be exclusionary and divisive. But what some White feminists don't realize that in some instances, they too can become collateral damage in the bigger scheme. Who cares about a handful of pissed off White feminists when you're specifically targeting the Black community? See White feminism causes immediate suspicion among the Black community in America, so you need the ace in the hole, a Black feminist to drive the wedge in the Black community. Madonna, Taylor, Miley and the like can't do it, but Nikki, Beyonce, Oprah and other influential Black women who ascribe to this "skrong, independent Black woman" and "Brothers Ain't Sh*t" theory can. Such is the way of tokenism.

 Since Beyonce claims to be a feminist, then she must abide by the rules set by feminists,  e.g. the White feminists. She can't continue this schizophrenic pace of trying to maintain "relevancy" in all areas, especially if you've made it perfectly clear that you describe yourself as a feminist. After all, feminism was mainly a White, middle-class, female phenomenon, brought on by White liberals, having nothing to do with the plight of women of color, regardless of how women of all races try to "intersectionalize" feminism in terms of race.  Not including your White feminist sisters, who introduced Black women to the concept of feminism in the first place, may come back to haunt you when they cry foul, and some may expose your plan in the end. Like Arika Kane. You need to clue them in next time.

Look, it's a known fact by now the NFL has become radically feminized and politically correct, and Girl Power is one of the predominate themes here, as exemplified by the hiring of female coaches, the commemoration of Breast Cancer awareness month, which brings in dollars from the sales of "pink" attire, and the impact of women leading to the expulsion of Ray Rice for his part in the altercation between he and his wife. I say altercation and not domestic violence, because it clearly was not a case of a man just "abusing" his wife.

Some of us know women makeup the largest consumer base in the world. Some of us have actually done some studying on Edward L. Bernays, and some have read books like Brandwashed, Buyology, and The Hidden Persuaders.

So for future references, there's really no need to hide anymore. And to have the media, whether conservative or liberal, intentionally mislead people with Black Power/Nationalist/Liberation references at a time when heterosexual Black men are being demonized, profiled, disenfranchised, imprisoned and killed in America is just plain ridiculous.

But nice try though.


Black Panthers...Malcolm X....yeah right.







Wednesday, November 19, 2014

A Taste of His Own Medicine (Bill Cosby)

Peace all, know it's been a long time since actually posting a personal blog here, but I have my reasons. Amongst the hectic personal schedule I now find myself at somewhat a dilemna. Realizing that we have morphed into an image based society, mostly due to technological advances being heaped upon an unsuspecting mass of people, coupled with a fascination for celebrity status, I sometimes wonder if I should even continue with blogging, and opting more for vlogging and posting my vlogs on Youtube.

  But I'm digressing. Right now I want to briefly touch on an individual that I spoke on previously, that is Bill Cosby, or Dr. Bill Cosby, pardon my manners again. You can check out that blog by clicking HERE.

Seems that Dr. Bill now finds himself in a quandry, being the subject of multiple allegations of sexual abuse/assault by women as far back as during the early 80's, the latest being from a former model who claims that he sexually assaulted her. This is nothing new mind you, for those who remember another post where I shared a brief video by Nikki Giovanni who went on a tangient about Dr. Bill, who seemed to have taken this "tough love" stance as some would call it against poor Blacks, who he, along with other middle class and other Blacks who feel we've actually progressed feel that the issues befallen on poor Blacks are the result of their own "ineptitude", and attacking their mannerisms.




Well now Dr. Bill may be getting a taste of his own medicine, seeing that he finds himself in the midst of sexual assault claims coming from far and wide, and in the wake of the Ray Rice incident, feminism (White Feminism mind you.) finds itself leading the charge against these injustices. Now it is reported that Dr. Bill has lost endorsements, and even the new TV show slated to premiere next year on NBC, whom Bill, or Dr. Bill, has had an enduring relationship with this network, seeing that his 1984 hit The Cosby Show (which by the way was initially turned down by ABC) helped NBC maintain a long standing status as the top network on TV, before Seinfeld,  before Friends, and before the advent of the Fox, WB, and UPN networks (which WB and UPN combined and became the CW Network respectively.) Dr. Bill's success on NBC allowed him to even produce a spin-off from his original show, A Different World, which initially starred Lisa Bonet, who was reportedly released from The Cosby Show, after Dr. Bill's disenchantment of Lisa's behavior, especially in a role in the 1987 movie Angel Heart.

NBC was so grateful of Dr. Bill's contribution to their success, they even helped promote his 2007 literary piece on Meet The Press entitled Come On People: On the Path from Victims to Victors, a book co-written by his longtime "consultant" on The Cosby Show, Dr. Alvin Poussaint, who is a practicing psychiatrist. How's that for propaganda?   The book, along with his popular rants, peaking in the 2004 NAACP address, divided the lines in Black society between those who feel that Blacks have made strides, mainly due to the Civil Rights "victories" and those who sensed that structural racism still exists, disenfranchising many African Americans, and creating a permanent underclass of people with no recourse of action to either reclaim dignity or justice lost. Now with a person who identifies himself as a Black man in the White House, those voiceless people who felt the sting of the Black Bourgeoisie's tongue against them have even a harder time trying to convince their Black middle class compatriots that structural racism is still a hindrance to the advancement of Black people, coupled with the Black middle class' denial or cowardliness, and the recent killings of Trayvon Martin, Eric Garner, John Crawford, Ezell Ford and others at the hand of vigilantes and rogue police, the future of Black America doesn't seem to be too bright.

Thanks for your contribution, Dr. Bill.

So my thoughts on the situation? Well, as Brother Malcolm (Al Hajj Malik Al-Shabazz) stated in reference to JFK's assassination, it's the results of "the chicken's coming home to roost". The climate that Dr. Bill created with his rants, which were backed by pundits in the so called "Black Press" and presented in the mainstream press as "news", along with his TV show, with his tap dancing around contemporary issues among Black people for fear of as he would put it "reinforcing stereotypes", polarized contemporary Black society, and helped to subside Whites' guilt about living in a society where Race determines social status and upward mobility. He has no remorse for the propaganda he and his partner-in-crime Dr. Poussaint spreaded, which in a book entitled Enlightened Racism: The Cosby Show, Audiences, and the Myth of the American Dream by Sut Jhally shows that results of the show did not actually introduce positive Black family models, but rather confirmed White's insistences that structural racism did not exist, and that Blacks' failure to achieve the American Dream were due to their own inability to "pull up their bootstraps". Now that the shoe seems to be on the other foot, I wonder if Dr. Bill will wake up and wise up?

As far as the allegations go, I don't comment on those, for all I know those are at this point merely "allegations". The biggest problem that I have with the allegations is that they have a tendency to destroy credibility of a person's position on important topics. While Dr. Bill did stress personal accountability and attacked the personal behavior of poor Blacks, his denial of the impact of structural racism and White Supremacy still remains the focal point of discussion, at least in my opinion. Guilty or not of the allegations, the propaganda of poor Blacks that shaped public opinion is what's worth discussing here because it's the same stuff that's pushed by the likes of Oprah, Obama, Charles Barkley, and any other Black person with more than five dollars in their pocket and a token position. Despite a constant barrage of evidence that would suggest otherwise, like multiple video footage of Blacks being killed with no recourse, and the rising discrimination suits that go unheard or unattended to, some of us still harbor this erroneous belief that these things are the result of Blacks' failure and inferiority. It is this that I wish to contend with, and not someone's apparent personal hypocrisy and shortcomings.

But I know some people are going to get their kicks out of these allegations and their impact on his reputation and future endeavors. And while it is tempting to throw egg in the man's face, I must stay focused on the real issues. The ones that affect all of us.

But in closing I have one more thing to say......HA!

Peace....www.qartworks.com

Thursday, March 13, 2014

What's The Deal Bill? The War Between The Others And The Others Pt. 1

This is the first of a series of sad but true stories of what happens when those who represent the minorities of America feel that they've made some accomplishments, which results in them blaming the majority of those who've suffered from structural racism and White supremacy in America as "inept" and "inferior".

I begin this series with Bill Cosby, or Dr. William H. Cosby, sorry for my blatant disrespect. Somehow this man keeps popping up in the media, beit corporate or the Black media, with the usual rant about how poor Blacks(note his rants are against one section of people) are not holding up their end of the bargain, or selling short on the Civil Rights movement. It's gotten to a point where I cringe everytime I hear or see this man's name, because I know it's not going to be good, because it's obvious that Bill, or Dr. Bill has a serious connection problem with lower class Black people.

Growing up I watched Fat Albert and The Cosby Kids religiously, as well as The Cosby Show and A Different World in my later years. Like most people, I didn't know then what I know now, which is the fact Dr. Bill is participating in a sinister war of various implications, not just on race relations, but a class war as well. How is that you ask? By not honing in on society's ills which affect its constituency, and ranting on and on about personal behavior issues, Dr. Bill, like others who feel that Blacks have progressed, places the blame solely on the individual, or in this sense, since we're talking about Black people we have to discuss the "group collective" or the double-standard that we place on each other that the actions of one or even a few Blacks represent THE WHOLE RACE.

 I didn't know the hidden subtleties that were inserted inside these shows, such as the lack of racial identity or the lack of approaching social issues that affected Blacks. Bill, oh sorry, I mean Dr. Bill, did not want to have a show which reflected the usual racial stereotypes as he put it, meaning The Cosby Show was not to reflect the realities of America then and now, which is why we never saw an episode where neither Theo or Elvin were profiled by the police, nor any of the kids being ridiculed about their hair, race, nor in any instance did we see any poor Blacks on his show, except the time when Elvin and Sondra leaves school and try their hand at owning a wilderness shop. Eventually Elvin comes to his senses and decides to re enter college...Ho hum...

That was another subtle theme that was inserted in these shows, this need to go to college in order to guarantee oneself a job in the mainstream. We were pummeled with these scenarios from Elvin and Sondra leaving school, only to come to their senses to Denise leaving school, going to Africa and getting married, only to come back to school in the end. The series ended with Theo graduating from college, overcoming his dyslexia and his slackness in his youth. To this day this idea is still being pushed into the minds of Black youth as the salvation of the race, although White students are growing more and more frustrated with the rising costs of tuition, the never ending student loan issue, which is now in the billion dollar range, and the lack of jobs one discovers after they've graduated. But Bill, I mean Dr. Bill and others in the Black middle class swears by this notion that a college degree will guarantee you a slot somewhere in the American Dream.  Even if his doctorate degree was the result of  simply submitting a thesis about the importance of using Fat Albert and The Cosby Kids as a learning tool...whoopee...

 Is this a subtle hint that being poor and uneducated is attributed to attitude or drive? Of being of inferior stock? So poor people are not dignified in any sense? This was the ultimate exhibition of Black middle class fantasy, in which the cries of the poor, downtrodden and destitute are completely ignored, as well as propagating the notion that the Civil Rights movement was the right course for African Americans to take, to not rock the boat and ask for justice and independence, but to ask to be included in a system that became rich from theft,  exploitation and oppression. As usual with these assimilationists, a  tribute was given to Dr. King, which symbolized assimilation and intergration and so called nonviolence, but not to Malcolm X or any of the Black Power movement participants.

 All of this was being broadcast during the height of Reaganomics and the Bush era, when social programs were cut, Black women were being targeted as welfare queens, drugs all of a sudden started appearing in the hood, wrecking families and communities, sending families scurrying in different directions, most of them having a negative end with either death or prison being the end result.  Then you had the Iran/Contra scandal, with Reagan disavowing any knowledge of the issue, jobs were cut, the rich got richer and the poor got poorer. You will be hard pressed to find a Black Democrat who will disagree with this notion, so how is it now easy to believe this man's tirades about people who were the victims of these dilemnas?

Now A Different World was different in that it somewhat spoke of the issues facing a so called Black college, but it was not really a different world when you look at it more closely,  Dwayne Wayne, a homeboy from the streets of New York falls in love with a light-skinned, gentille southern Belle name Whitley Gilbert, who was materialistic to say the least, yet in the end she gets her way,  anyone who represented the counterculture was mocked, whether it was Freddie the hippie, Shaza Zulu, the pseudo Afrocentric who can't seem to graduate, to Terrence Taylor, who becomes Muslim, but you don't really know what he believes, due of the ambiguous way the teachings of Islam were handled by the show. It gave you the impression that to be a Muslim was all about freeing oneself from the oppression of the White man, ala the Nation of Islam, but I won't get into specifics with this right now. In the final season, Freddie gets rid of the hippie look, straightens out her hair, and joins the system and tells Lena(played by Jada Pinkett Smith) that she's going to assimilate into the system with the hopes of changing the system....Such delusion...Again this show gives a tribute to Dr. King and the Civil Rights movement, and pushes the constant barrage of vote, vote, vote, even with Rev. Jesse Jackson making an appearance on one episode.

So while The Cosby Show stayed away from racial politics of any sort, A Different World grazed those issues, but in an assimilationist fashion.

So in reality both shows were just as much propagandist in nature as any other show on television. This time it was for middle class Blacks. And in many cases it worked, due to the lack of approaching racial politics among everyday life for Blacks, especially the ones who don't make it to college for whatever reasons. But in tap dancing around those issues, it created the sense in White people that White supremacy and privilege doesn't really exist, and Blacks are just victimizing themselves, asking for handouts.

 Then there's the issue of Dr. Alvin Poussaint, who acted as the consultant for the two latter of Dr. Bill's shows, as well as co-written a book with Dr. Bill entitled C'mon On People...aimed at who? Poor Blacks of course. But just who is Dr. Alvin Poussaint? Well he's a psychiatrist from....

Hold up...Hold up...HOOOOOLD UPPP!

Dost thou not smelleth something fishy in thy nostrils?

What's the relationship between a psychiatrist and a sitcom? There shouldn't be any, at least until you read the book The Hidden Persuaders by Vance Packard, and begin to make the connection.

The symbol manipulators and their research advisers have developed their depth views of us by sitting at the feet of psychiatrists and social scientists (particularly psychologists and sociologists) who have been hiring themselves out as "practical" consultants or setting up their own research firms. Pg 34

 Dr. Poussaint's take on the working relationship was that he was commisioned to go through the scripts, because the majority of the writers were WHITE, and make sure that there were no nuances or hints of racial stereotyping in the script. Sounds pretty decent right? Dr. Poussaint has openly admitted that many of the Whites in Hollywood are racist, but he only says that within the confines of other cohorts who make that claim as well. I don't recall any real discussion on any major network, including Dr. Bill's favorite network, NBC, about the racism in Hollywood. In a discussion entitled Mickey Mouse Monopoly: Disney, Childhood and Corporate Power, he had this to say:

I worked in media and often I was surprised. Sometimes very intelligent, mostly white writers, college graduates, held stereotypes about a lot of people. When they wrote them into stories they would write it in a stereotypic point of view. It's like they didn't know any other way to write it. Because frequently they were not involved in a social personal way with Blacks, Latinos or Asian-Americans. And so when they had to write something about them, they had to draw on what they knew and frequently what they knew was what they picked up from the media and frequently that was stereotypical.

Regarding the Disney cartoon moive Tarzan: ...Kids in Africa see it. They see a white man in African who is superior, swinging from trees to trees, they see no Africans. They see gorillas being the ones they relate to. What does it mean to an African child? Is it promoting white supremacy to these Black African children who watch Tarzan in a movie theater in Africa? Of course it will, and it might be promoting it around the world.

 So basically you have this actor who realizes the power of the media in brainwashing and mind manipulation, so much so that he would employ a Black psychiatrist to check the scripts and red flag any nuances that may refer to racial stereotyping, but yet his books and public tirades are hurled against the Black victims? Why do the both of them continue to work together and write books together slamming the actions of the victim, but not notate in public the actions of the aggressor? Do you see my point?

The only time I heard him rail against any actors were against the likes of Martin Lawrence and Jamie Foxx for their impersonations of Shenehneh and Ugly Wanda, but now I don't even hear that against the likes of Tyler Perry and his Madea impersonations, and Tyler CONTINUES to use this schtick, which has helped make him into arguably the most successful Black male actor/producer in history, but yet there's no tirade against him? What's the deal, Bill? Why not speak against the actors of today? Why not speak against Lupita's role in 12 Years A Slave, or any of these other roles that were meant to demean and stereotype Blacks, like you did Lisa Bonet when she did Angel Heart?

Surely they are educated enough to know the sordid history of Hollywood and the Academy Awards. http://realquwwa.blogspot.com/2014/03/my-baloney-has-first-nameits-o-s-c-r.html Isn't it obvious that these two men, who strut around wearing their doctor titles and claim to be educated, should know that the actions of the poor Blacks are no different than those of Whites during the Depression.? Were they not fighting over alcohol? Were there not White gangsters during that time?  I mean Al Capone wasn't Black to my recollection. And the likes of him were ABOVE THE LAW. Where is it written that the actions of Whites during the Depression were any different? Was crime lesser with them? Where is their evidence which points to the discrepancies among poor Blacks as opposed to poor Whites? Were domestic abuse and prostitution any less with them? Didn't they use dance marathons, drugs, movies and gambling as a means of escape as well? Were the spending habits of poor Whites any different? If so, then why would an executive make this statement, also contained in the book The Hidden Persuaders:

"We can sell these people refrigerators. They may not have room for them, and they will put them on the front porch. They will buy a big automobile and all the luxuries, but they never move up the scale."
—Chicago ad executive, at a forum on lower-class buying habits

 Surely both men should know these things, unless their degrees are only symbolic,  or they are playing the role of "not biting the hand that feeds them", or they are willingly playing a game with people's minds, and engaging in engineering consent of genocide and elimination of the poor and downtrodden masses of Black people.

Now there's word of a new sitcom starring this man slated for possibly the 2014 fall season. One only knows what type of tricks this man has up his sleeves now. My best suggestion is that he quits while he thinks he's ahead.


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